sixteen indie-dance tracks including amongst others friends, citizens!, peter & the magician, moonlight matters, rufus.. as well as a world exclusive premier remix of sun, two door cinema clubs second single, by kitsunes founder himself, gildas loaec!

flying lotus alben sind für metaphysiker puzzleteile auf dem weg zur weltformel und für normalhörer grandiose geistererscheinungen. sein neues werk, eine kollage aus mystischen zuständen, träumen und schlafliedern, wirkt wie eine nachtreise. das aufeinanderprallen von kosmischen bassgewichten und computerisierten arrangements klingt musikalisch griffig wie nie zuvor, was auf eine beträchtliche entwicklung als produzent und komponist hindeutet, wie auch auf stets neu spriessende entwürfe von songfundamenten. bei der realisierung wirkten seine beiden gesangsmusen niki randa und laura darlington mit, thom yorke (radiohead) sowie die queen of leftfield r&b, erykah badu. flying lotus unternimmt seine intellektuellen sprünge, ohne dabei musikalische details wie das gewicht einer bassline oder den swing eines drumbeats zu vernachlässigen, so wie es viele master der soulmusik seit jahrzehnten vor ihm tun. >until the quiet comes< folgt dieser tradition, während es neue pfade für sich eröffnet - eine kombination, die einen wahren klassiker ausmacht!
doppel-vinyl, inklusive code für freien mp3-download des albums.

layo & bushwacka are set to release the first wave of material from their forthcoming long-player >rising & falling<, with a remix package of the track >dancing in the dark<. contributions come from guy gerber & dj tennis and audiofly, and constitute a package that leaves the listener with a building anticipation for subsequent releases from the album, which will be out this autumn.

the bolognese disco don riccio returns on bosconi extra virgin with strong houseyoriented 4 tracker vinyl with a stunning dj sneak remix! still embedded in obscure disco and soul sampling, riccio is always keeping his distinguable touch dense of inspiration and love for the original american deep house rooted sound. about the beautiness of the tracks we can say that come back is a loopy and techy disco banger in the vein of ugly edits and soundstream, while son of love and undercover are two swinging and sweet deep house moments like we never heard rom riccio before. the release includes a pumping filtered reinterpretation of come back by the almighty dj sneak!

limited to 250 copies !!! on august 4th 2011, the sony music warehouse in enfield, north london was attacked during riots and looting that affected many areas of the capitol over the course of a week. the warehouse burned down completely, taking with it millions of cds and vinyl stored by the distributor pias including the back catalogue of freerange. the blow was devastating for many labels, with the logistics of manufacture and minimal insurance payouts meaning that recreating the entirety of their old stock was completely impossible and many releases have been lost forever as a result.

slamming remastered reissue of über-rare detroit electro gold >mill-due< by t.mack on tiny label megas. incredibly hard to come by, this underground 12 inch from 1985 oozes funk, soul, boogie and delicious groove with a huge slice of time-defying electro chic. with a super-squelchy analogue bassline, sexy guitar licks and killer beats, it is topped off with detroit style space-age deep vocals which conjure images of early juan atkins productions - this record is a collectors wet dream! an on-air favourite of the electrifying mojo, this is motorcity electro at its very peak. absolutely 100% essential for fans of electro and techno alike! do not miss out on this true holy grail of detroit electro funk

slamming remastered reissue of über-rare detroit electro gold *mill-due* by t.mack on tiny label megas. incredibly hard to come by, this underground 12 inch from 1985 oozes funk, soul, boogie and delicious groove with a huge slice of time-defying electro chic. with a super-squelchy analogue bassline, sexy guitar licks and killer beats, it is topped off with detroit style space-age deep vocals which conjure images of early juan atkins productions - this record is a collectors wet dream! an on-air favourite of the electrifying mojo, this is motorcity electro at its very peak. absolutely 100% essential for fans of electro and techno alike! do not miss out on this true holy grail of detroit electro funk.

limited edition box set, containing 7 x 7 inch vinyl and code for free mp3 download of all tracks.

nice price deal !!!

since their breakthrough debut ep on culprit a mere 3 months ago, climbers ascent has been the definition of meteoric. the young mexican duos success is no mere lucky break or flash in the pan story, though – jay blakk and kiko deal have done it the right way, their tremendous artistic growth spurt coming as the inevitable result of ceaseless studio work coupled with the boys staunch adherence to their musical roots sprinkled with more than a touch of inspiration. 2 come back is the climbers most accomplished song to date, that rare breakthrough moment when a production teams developing signature elements come together in an exciting way, making for something special.

nick nokolov and rompante are the next love couple on liebe & detail.

hannover based imprint yippiee return with the outstanding come with me ep this august by manuel moreno, backed with remixes from label owners filtertypen and normen hood. this release follows the success of yippiees treibgut sonder kompilation which featured cuts from deepnhouse heavy hitters chris lattner, moritz piske, patlac and gorge to name a few. now the german imprint deliver this four track single from swiss producer manuel moreno whos releases on 8bit and dj sets at space and privilege (ibiza) have earned him a highly praised status in the underground. title track, come with me, opens the release, encompassing a boomy kick drum, tight drum programming and ethereal atmospherics to create a deep and dark distinctive quality. the inclusion of a gritty sub bassline further fuels its murky progressive vibe, while the introduction of a soulful vocal hook and bright string melodies adds a lighter touch to the composition.label owners filtertypen opt for a less is more approach to their remix of come with me. stripping back the atmospherics to a more dismantled state, the duo-apply punchy drums and a warbling sub-bass,resulting in a smooth rolling groove that runs steadily for its duration. the cut comes into fruition threeminutes in when the pair bring in an amalgamation of deep strings, synth shots and delayed fx, finely placedto create an expansive dynamism. hello bernhard employs deep worldly percussion as its driving force, while guitar licks and warm chordscreate undeniably beautiful imagery. moreno demonstrates his ability to manipulate melodies with precisionhere, introducing several elements to play off one another in a call and response fashion. last up on the wax release is im sorry, a solid slice of house built around rolling toms, sawtooth bass notes and trippy vocal murmurs. manuel utilizes heavy delays and big room reverbs to create cavernous effects in the breaks that adds an incredible weight when the preceding groove is brought back in. to close the release normen hood offers up a remix of hello bernhard as a digital bonus. applying deep house tactics, hood plays on warm piano stabs and brass hooks that deviate around the tight-knit drums for several minutes creating an epic rework.

keine spielereien, einzig signalsounds, starke beat-patterns und bass, bass, bass mit voller wucht. die vielfältigkeit von silent witness, ein massiver groover, über i come by night, ein echter 4 to the floor slammer, bis hin zu wunderbar melodischen tracks wie gas up oder der albumversion der 12inch vorabsingle the praetorian. wie auch die vorgaengeralben ist dieses hier aus einem stück. jeder einzelne track ordnet sich dem ganzen unter und sind dennoch hits, jeder einzelne. eben killer! gemacht für die aufgepimpte anlage in deinem auto, für entspanntes, aber lautes hoeren zuhause oder über gute kopfhoerer. also, rave on! shed the killer wurde im maerz 2012 produziert – eine erstaunlich kurze zeit für eine ganze albumproduktion. es wurde dadurch noch homogener und ist eine wahre liebeserklaerung an den techno.

square mode come up with >the wheel<, a beautiful piano inspired piece with heavu weight remixes from german legend jack dixon and red rack em.

the second full-length album is a true reflection of the complexity and simplicity that have come to represent the artist. effortlessly weaving entirely new sub-genres, while daring to convey its fragility she assembles the marcy all-stars, a loose collective term that encompasses her longtime muses, friends, and co-conspirers. the term comes from the marcy hotel in williamsburg, new york - an underground nightclub-come-creative-space and wolf + lamb label studios that gave nicolas jaar his first gig, inspired a multitude of collaborations and reshaped the sound of house music as we know it. available on cd, lp with a special limited edition lenticular cover of the accompanying led sculpture designed by deniz kurtel and brought on the way we live u.s. tour. vital sales points: - second full-length artist album for turkish-born artist - mobile led installation was constructed for the tour, artwork is special multi-frame lenticular - extensive global promo + tour

amazing release by polar inertia, who already gave a glimpse of their techno brilliance on dement3d 002, but with the last vehicle it seems their craftmanship has come to full growth. this third release on dement3d is once again formed of three different tracks, high in contrasts and emotions. industrial but groovy, raw yet hypnotising deep techno that will create a stir in basements and warehouses worldwide.

after john coltrane and cannonball adderly left the quintet, miles davis was forced to search for new qualified musicians. he found them in hank mobley, wynton kelly, jimmy cobb and paul chambers. in 1961, just two years after recording kind of blue, miles and his new line up started recording energetically and finished someday my prince will come after only three days.
this album is a cross-over from kind of blue (movlp019), which is known for the typical miles davis-tunes, to traditional pop-standards such as the eponymous title track from >snow white and the seven dwarfs<.
music on vinyl turned this classic album, including glaring solos from john coltrane (joining miles on two tracks on this album) and hank mobley, into a true gem! this record is re-mastered on 180 grams audiophile vinyl.

following on from the massively popular philadelphia international: the re-edits package, here is the 2nd release in our special philly 40 campaign which is celebrating the 40th anniversary of philadelphia international records. welcome to the hugely anticipated >philadelphia international classics: the tom moulton remixes<. tom moultons involvement with philadelphia international spans the entire 40 years of their existence with many of his early mixes unaccredited in the era before the 12 inch disco disc. in 1977 pir released the ground-breaking historic original double lp philadelphia classics which featured 8 of tom moultons greatest pir mixes. the album has subsequently been reissued several times and is rightly hailed as a must have classic for any serious music lovers collection.

unreleased egyptian jazz: 2x45s set in a unique hand-printed fold-open pyramid! four sides of previously-unreleased ethnic mythic mystic jazz from the legendary egyptian drummer! before the re-release of his album with the cairo jazz band recently, the name salah ragab was best known to jazz fans and record collectors by way of another lp that was recorded with sun ra in the early 70s. his album >prism music unit< with the cairo jazz band was released in egypt with another by the cairo free jazz ensemble, but perhaps only salah himself knew of the other songs he had recorded at the time, but didnt make it onto these lps. the tapes lurking for decades in an old trunk, its taken until now for them to see the light of day, and we present them here as four amazing pieces of egyptian jazz on 2 seven inch singles. entombed within a hand-printed, hand-made pyramid shaped box, this is the first time in 40 years that these recordings will have come to light. ladies and gentlemen, behold the splendor that is salah ragab and the cairo jazz band!

nach touren rund um den globus kehrten eleanore und jason zurück in ihr abgedunkeltes studio und arbeiteten an dem hypnotisierendem nachfolger zu ihrem beeindruckenden debüt. >red night< wirkt wie eine meditation über trennung und wiederfindung, über fast verloren gegangene liebe und die lang nacht zu ihr zurück. der thith sound vermählt furchtlos minimalismus und abstraktion mit grossartigen melodien. eindringliche stringarrangements werden von treibenden rhythmen und eleanores faszinierender stimme überrannt. >red night< ist ein trip durch die schwarze grossstadtnacht, in der zeit sich dehnt, geschwindigkeit bricht, und gitarren in donner und herzklopfen eintauchen, bei immer intensiver werdenden vocals, je länger die nacht dauert. nach jüngsten auftritten mit odd future und kid cudi, mit den yeah yeah yeahs, james murphy und squarepusher werden thith jetzt auch bei uns ihr neues album ausgiebig live präsentieren!

little is known about the norwegian bunny & bear duo known simply as the glue. their last appearance with us came courtesy of kolour ltd and we knew right then that these boys were in-store for their own ep with us and we are pleased to announce that it has finally come to fruition.
remix duties see the return of the incomparable dead rose music company to the kolour fray. he takes the title track and rubs it into a chunky piece of dancefloor business that has without a doubt turned into one of our favorite remixes to date.
we here at the kolour recordings family of labels cannot express just how much we appreciate your continued support. for all the gig spins, various chart support, podcast plays, and reviews .. from the bottom of our hearts .. we thank you very much.

2012 repress !! after the incredible success of agarics >who made up the rules< , we come to you with this amazing remix ep. on the a side josh wink is onboard to remix the title track >who made up the rules<. this is vintage wink, pumping and building as only josh can. on the b side we enlist the skills of axel boman who takes the hypnotic >get off my mind< and makes it a funky house jam. two amazing remixes of two incredible tracks that should be heard throughout the summer season

after their first successful >youre mine< release on 8bit in 2011 mannheim based bunte bummler come up with the next sure shot. timeless deephouse paired with modern electronic basslines and catchy vocals make this release a massive package. perfect tunes for the upcoming open air season!

submerse is 23 year old rob orme who splits his time between north west england and tokyo. he has already had a guardian new band of the day feature, which claimed him to be making some of the most heartbreakingly beautiful (dance) music anywhere on the planet. this came after just a handful of eps and a free download album that blend his love of j-pop and 2 step. his debut ep for apollo showcases how his productions have moved on in complexity and accomplishment moving between the digital hip hop of 8bit romance and the glitchy electronica of cluster to the recognizable garage mutations of give it up and they always come back.

big with:ernesto ferreyra, the mole, akufen, vincent lemeuix.. inspired by classic disco and electro, dkmd have already produced several dance music tracks, using old and new technology in order to come up with a unique sound which pays homage to their predecessors without sounding pastiche. echoes of giorgio moroder and donna summer can be felt throughout on the other side, while the playful and sensual taxi cab recounts the familiar story of an early morning phone call received by a girl in a cab, on her way home from a pleasurable night out. perhaps it is their experience playing together as improvisers that adds a special touch to their dance music,as they have grown accustomed to perform almost every element in their tracks using hardware intruments and effect boxes.in addition to their disco project,the two have a considerable track record as experimentalists and the dark,cosmic and mysterious androide is a good example of some of their output in the genre.even though dkmd are only at the beginning of their dancefloor adventures,they show no signs of stopping,and when asked what comes next,they will likely answer

the byrds were one of the earliest groups who could combine the best of two worlds. they caught on to the energy of the british invasion and combined it with the lyricism & musical elements of the contemporary folk movement.
along the way they pioneered psychedelic and country rock, always keeping things recognizable with their vocal harmonies accompanied by their jangly guitars.
on their third album >fifth dimension< from 1966 they started showing a more lsd-tinged side of themselves with the psychedelic rock of songs such as >eight miles high< and >i see you< and a preference for the indian raga.
one of their most pioneering albums re-issued on 180 grams audiophile vinyl!

from gui borattos latest album iii comes >this is not the end<, an indie minded track that convincingly demonstrates guis impressive skill set when it comes to emotional narratives embedded in a distinctively monumental context. like his timeless >beautiful life< and last years album highlight >destination: education< (already remixed to perfection by terranova and tale of us), >this is not the end< features the beautiful vocals of luciana villanova, who seems to know exactly what makes gui tick - which doesnt come as a surprise, as they are married – and possesses this rarest of all gifts, an unique voice that seems to address each listener personally. in his own 2012 mix featured here, gui doesnt so much concentrate on the originals tearjerking qualities (which were already fully formed), but streamlines the arrangement for ease of use on the floor of your choice, making the track even more refined and addictive. those of you looking for a slighty more adventurous approach will find their satisfaction with michael mayers rework on the flipside, where the source materials hypnotic qualities are brought to the fore, resulting in a masterful slice of catchy prime time psychedelica. with both mixes turning out to be instant classics, we can definitely confirm that this is not the end.

disc 1 of 4 with unofficial edits and overdubs by joaquin joe claussell.

philpot finally presents reboot joy confession’,s album debut! after two fantastic 12inches for us in the last two years we decided it was time to collect all these fine tracks they presented to us, but weren t really 12inch single material.now, beautifully skit-connected, it all makes for one outstanding album, flawlessly fusing boombap, latin, jazz, psychedelica and raw house aesthetics and so much more!so, take some time out, make yourselves comfortable and let them put a spell on you!

for the 2nd release on his existence is resistance imprint, persian teams up with mc mello.

this is a real secret weapon for the crowd!

record store day is synonymous with exclusive and limited releases and this year is no different. featuring a collaboration ep with adrianyounge from venice dawn and black dynamite fame and adrian quesada from the echocentrics, ocote soul sounds, brownout and grammy-winning grupo fantasma. a first name is not all adrian younge and adrian quesada share, they also both have an equal love of the psychedelic, the cinematic and at the root of it all, soul music. so it was inevitable that a collaboration would eventually come to fruition. mutual admirers of each others work, they first met at the sxsw music festival while on the same bill. both began their production careers on mpc and taught themselves various instruments to further capture the symphonies heard in their heads. fresh off his current solo project something about april under the moniker venice dawn, adrian younge found time to create all new tracks with adrian quesada who just released his echoland tribute to timbaland with the echocentrics. although both are distinct artists in their own right, they are cut from the same cloth with a signature sound thats equal parts morricone, early portishead, wu-tang and 60s psychedelic cinema soundtracks. their combined efforts on this ep guarantees a double dose of the sound we have come to expect from these talented individuals.

join the dots reaches its dirty dozen in the form of leeds based noiseniks death on the balcony. after a year of rather big releases, hanging out with wolf & lamb, soul clap and other assorted cool cats and playing a hectic schedule of gigs across the world that literally saw fans throwing themselves (from a ruddy great height apparently) at our boys they now contribute dot012 to the jtds family. whilst being described as everything from disco, house, deep techno and any number of other pointless monikers (these are just their own descriptions we should add), death on the balcony have you could say come home to roost. think of us as their crash mat, their safety harness, their bungee cord. we are going to look after them whilst they just sit back and admire the view.

2012 is the time for john lord fonda to come back to the light, starting with a huge techno ep >bang the fire!<, including two original tracks bang and >heaven s on fire< both with a minimal techno imprint. this new release is the first extract from his forthcoming album, scheduled for 2012.
>bang< open the tracklisting, a classic john lord fonda track, energetic like always as even if he takes time, he drives us in the end in huge orgasmic breaks, quite intensive…,. then we continue with a kazyo (from teenage bad girl) remix that delivers a dancefloor epileptic killer version. electric rescue is fascinated by the energy of techno music, so he did a very minimal but powerful version.

label boss nic fanciulli makes his first appearance on the label for 2012 and presents a strong package which consists of 2 of his biggest remixes in recent years. first up on the a side is his take on radio slaves classic, >grindhouse<. the mix has been highlight of nics sets for the past 6 months and is a sure thing to be rocking many parties in the summer months to come. up on the b side is his remix of loco dices >definition< which also gets a release after a long and successful spell on the underground.
available on limited transparent vinyl.

not only is this ep gerry reads debut association with delsin, but so too does it mark the launch of a new house-focussed series from the dutch imprint.

positioned as lesser-known little brother to adam beyers globally renowned drumcode brand, truesoul has to varying extent existed in the shadows since its conception in 2002. never designed to be a label that you could set your watch by, releases have come sporadically over the past nine years,albeit when they have come they have always made an impact.

part one of session victims haunted house of house sampler is already going down an absolute storm with the likes of dop, james teej, catz n dogz and tornado wallace declaring it >superb<, >inspiring<, >fantastic<, and bloody ripping, respectively. nows the time for part two containing four more cuts of the good stuff and by now you know what we are talking about here, deep, sample-heavy, rough around the edges but smooth in all the right places. basically good oldfashioned instrumental moods and grooves which will appeal equally to those old enough to remember the golden era of pork recordings as it will to the hip young vinyl heads with a nose for anything disco. enjoy, support and keep them peeled for the final installment part three coming very soon

repress 2015 ! umami who claim to make songs not tracks come up with their first solo ep. after collaborations with aka aka and niconé and their latest remix on shaker plates they hoist sails and push their style one stop forward with >conquer the night< on a1. thats >all what you get< (a2) from umami: driving, funny but still eclectic tech house in a fresh sounding garment. the ageless synth line of >sunshine and godzilla< (b1) will drive the crowd crazy for sure and with >kukukuku< on b2 they proove that finnish lullabies also work on the dance floor. this surely tastes a lot like umami

uncanny valley continues to introduce more artists from the valley with their own solo ep.with uv008 its credit 00 whos put on the map. the dresden resident delivers four ice cold chicago inspired cuts, with hints of acid and electro,straight out of his machines which will make every synth aficionados mouth water.another me is, by credits standards,an almost intimate jam, which shows that house can be a decent funky affair.in the cave problem youll get an extensive bassline before synths that seem to come directly out of a hurdy-gurdy from hell add the right dose of gloom.the b-side is started off with the living room, a hard rocking track that comes like an acoustic exploration of sophisticated sound and drum ideas. the final brios theme is a weird and slightly menacing sci-fi work that only needs a proper movie.and again a new cover artist, credits longtime buddy geprg hpfmann.

b-tracks debut at the end of last year was a runaway smash, gone in a flash. the come back ep is another deadly round of deep, real dance music from the two new yorkers, schooled in vintage gotham and detroit house and techno, freshly to the manor born — driving, dub-wise, bare-bones, soulful, and melodic, by turns. once again, dont sleep on it.

mad crazy come back from underground legend nathaniel x project. after releasing some heavy heavy deeeeeep works on label such as music station or island noyze back in the early 90s, heres a killer set of previously unreleased jewels...

the sense of palace brothers being a band was dispelled by oldhams second album >days in the wake<. initially released eponymously, >days in the wake< is, apart from the addition of some backing vocals on come a little dog, a solo album.

a whole album full of 1980s dico-funk glory, brought to you by the reddings and re-issued in audiophile quality on heavyweight wax by music on vinyl.

dan ghenacia, the force behind the inaugural label of parisian house talent freak n chic, returns alongside his closest allies dyed soundorom and shonky to launch their new imprint – apollonia. sharing the same roots, the same tastes and the same musical vision, apollonia was a natural, if not inevitable progression for the three friends.well mainly focus on releasing our own music, but of course we are also really open-minded to sign any producers we all enjoy, says dyed.the label will serve as a platform for the trio&#8223,,,,,s productions, representing new beginnings based on a solid family that have already done much to shape the underground house scene, in paris and beyond. if the former era was a learning curve for all three, in both the music and business sense, one has high expectations for the quality of production on apollonia to come !shonkys ep the minneapolis touch will mark the first release for the label. forthcoming in february 2012, it features three tracks of strong house grooves, hynoptic melodies and hushed vocals for his signature sultry sound.

limited reissue of this huge funky / disco classic

we are happy to have oscar barila & maiki on board ! they already showed their skills with great releases for plastic city, kling klong, parquet, deich and many more. for beatwax they produced 2 huge house monsters which come acompinied with great remixes by the new uprising aldo cadiz (desolat, viva, off) and demian muller & andre butano